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From time to time a poem
- Alexandre Orion
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It should probably be here ...
Hours pass darkly by ;
Days flow out of folk-lore,
Nights return to “why ?1”
(33) Take this hand that I am reaching
Lead me out of ever-more
To the Life that I've been seeking
Somewhere over sunset's shore …
(49) Floating from the centre outward
Born in singularity ;
Turning through and ever inward
Retreating to Sukhavati.2
(65) History is storytelling3,
Love and War are poetry ;
Worlds emerge as I lie sleeping
Dreaming through their Mystery …
***
(105) Still, My Love, my ship sails
The Transcendent Sea ;
Wait, My Love, I'll not fail
To return to thee –
(121) Hold your Hope in your hands,
Let it be your guide ;
Calling out from far lands
Where our Fate resides.
(137) Into the abyss –
This is to exist –
Bless me with one faithful kiss –
This call one cannot resist :
To know thy Self is highest bliss ...
(173) Through adventure thus transforming
From belief to what is real ;
Worlds emerge as you lie weeping4
Creative Force erstwhile conceal'd5.
Part II (6:09)
(247) Be it by choice or Destiny
That I should come to Mastery ?
Part III (6:37)
(266) So the way is long,
And the mountain high,
In the tempest strong,
Through the rolling sky,
And the sea is deep,
There it's secrets keep,
From the World around,
Shade and Light collide,
Over-underground,
To the Other Side,
(276) Where Time's Temptations thrice-fold6
Touching commoners and kings
Try the learn-ed and the bold
With a thousand worldly things ;
So as now in times of old –
So tomorrow as today –
Fallen angels still have wings,
Still they dance upon the rays,
And what mischief singing brings
To the one's who've lost their way
Within the Savage Garden
Of all their generations
And where their bones have hardened
As Pyramids and Nations
May it be pain or pardon –
(291) Where did I come from ?
Where am I going ?
What is the meaning ? The way of knowing ?
Freedom or justice, courage or beauty,
How feel I what they truly mean to me ?
What is my part in this long history ?
(341) To crush the World
Or give it Life :
The mother's pain, The father's strife –
A State to claim ;
Such is the Nature of the game
Machine or Man ?
Control - Delete or helping hand ?
The causal root –
Non sequetur, Does not compute …
Comes my Empire,
Another Indra doth aspire8...
Before a fall10
From Paradise to Cavern walls11
and fall away
My cross I bear
From Day to Day
With stolen fire12
And golden fleece13
While flute and lyre
Sing War and Peace
All my battles
Lost & Won14
The quest is Done …
Fin
(397) Waking to Redemption's sweet embrace
you hold me softly now.
– Alexandre Orion, avril 2012
2 Sanskrit : 'blissful place'
3 Storytelling, Christian Salmon, Ed. La Découverte, Paris 2007
4 In reference to Queen Dido de Carthage
5 Brihadaranyaka Upanishad
6 In Buddhism, the assaults of Mara ; in Christianity, the temptations of Christ as revealed in the Gospels of St. Matthew, St. Mark & St. Luke
7 Sanskrit : of that which circulates, the states of existence under the influence of suffering, from attachment to ignorance. These are the states conditioned by "karma".
8 Hindu god of war, storms and rain -- Rig-Veda
9 Greek : πλήρωμα – the totality of divine power, spiritual fulfilment
10 Proverbs, 16:18
11 Genesis Ch. 3 & Platon, The Republic, Book VII
12 e.g. the Promethean myth
13 the myth of Jason of Argos
14 Shakespeare, Macbeth, Acte I, Scène I
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(For Reliah)
Nights follow mornings, whilst Green follows Grey –
From Springs to Autumns, doth Zephyrus blow
The Life from the Rose that blossomed in May ...
The Crone was the Maiden, Steel was once Gold,
Coal was a Forest and Stone was a Star –
The robust Lover, now lies a corpse cold ;
His kiss a mem'ry, his embrace a scar ...
Love and Fear dance this macabre pantomime,
Tears of the Dagger, Blood stains on the Cloak,
And screams heard in Heaven through Rising Smoke ~
'Tween Love of the All and Fear of the Ones1,
For the Dragon devours the sum of his fare
When Self sings to Self self-righteous Sermons ...
Hope falls from Fingers that once held the Rose,
The Dragon lie sleeping, drunk full of his feed ;
Hope freed fingers about the Sabre close,
And flash spiking the Serpent, then are freed.
Where Mind cannot tell one nor other apart –
May solemn sacrifice such Courage evoke
That Self would lift away as Rising Smoke ~
Lovers Dead, Lovers Wed, to Lovers' Bed ;
Gold flashes the Sabre, the Star in the Stone,
The Kiss of the Soul, from the Grail fed ...
The Within that One was without awoke
And Brought to Life by Love and Rising Smoke.
Alexandre Orion
mai 2012
1. World seen as integrated whole, and World seen as disparate parts
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is not easy to tell
for it does not correspond
to that which you expect from perfection …
Alexandre Orion
***
Love is as prolific in the universe as is Life. Every form of life is fully endowed with it. Yet, curiously, it is the gift with which you hurt yourself the most grievously ...
He is there, sitting in front of you. You do not know one another. In of all his expressions however, as in all of his gestures, there is a familiar element. Sometimes you know what he will say before he says it, and sometimes you know what he wanted to say although he didn't anything. It is reciprocal. You find this disconcerting, even troublesome. There's nothing that you want to call attraction – only wonder. You ask yourself : “From what is he made, this strange creature ?”
As every time that this mysterious sentiment intervenes in life, it is toward a person completely ordinary to the eyes of others, but magnificent to yours. Typically, it is for a being who does absolutely nothing to be noticed, who has nothing extraordinary in his behaviour. Nevertheless, there is something singular, unique and incomparably fabulous.
Your friends, with whom you speak of these emerging sentiments, offer you diverse counsel, saying that you should certainly talk to him about your feelings, or, on the contrary, that you should definitely not. Yet none of them believe that it would be a good relationship. He is too old or too young. He's gay or he's straight. He's not of your social class or he's not of your educational or economic level. Sometimes it's that he's too introverted or too extroverted. It's a futile endeavour as he's this or not that … And still, you love him. You did not decide to fall in Love. You very bitterly discovered that you were.
“Love is difficult,” you tell yourself. This is completely untrue. Love is the simplest of all enterprises. So-called love relationships, on the other hand, are the hardest of affairs. When Love settles into a life, you cannot say that it is because of or by the grace of one or the other. You do not love for any particular reason. Reason has no effect on Love, nor has it any consequence. Moreover, Reason has been the mortal enemy of Love for millennia. She most often wins their battles…
You try to be, or to remain, reasonable. You remind yourself that your friends are trustworthy, logical, intelligent and experienced and that they are looking out for your best interest. You try to think of other things, to occupy yourself differently until such a time as this foolishness passes, until it withers away and dies. You go for relaxing week-ends in the countryside with your friends, and go out to pass time having cocktails on sunny terraces. You cannot however stop thinking of that cursed One you adore. All of the songs they play in the pub or broadcast on the radio serenade him. Somehow absent, he's always there. You talk to him throughout light-years ...
You try and rationalise it, reflecting on all of the inconvenience that a relationship with this person would present. You find that you can do nothing about it. You think of him from the second you open your eyes in the morning to the very moment you go to sleep at night, if you can sleep at all. Even your dreams he invades, raising them to paradises from which you wish to never return or plunging them into nightmares from which you cannot break free. “How much time have I already lived without him, after all ?, you scream inwardly, This should not be like this ...”
But it is.
Your intuition comes to the rescue. “How many times have I already lived with this Soul ?” Such strong sentiments do not flow out of dried up springs. Where is the source ? When Love fixes itself into a heart, this proves to be a most resistant installation, and dislodging it is as arduous a task as any of the Herculean labours. Could it be that there's another phenomenon operating herein ? What is there to fear in the state of Love ?
Feelings need no action. They are not events which require response or recompense. They are only feelings. To feel Love for someone is one of the strongest. It is magical and marvellous. To love someone for no reason, no particular attraction, no hope of specific or personal gain is a godly exploit. In this manner, you touch the divine. But this is also why Love hurts so badly ...
Perfection is hardly lovable. You love what is imperfect. You imagine Life with the One you cherish, according to all the conventions of romantic Love, and you attach these images to your sentiment. Thus bound, Love, the most abundant, creative lightness of this universe, becomes a heavy and painful burden. You drag it about everywhere, and with every song, every image, you load it down more and more. You weep, you complain, you brood and then the One you love comes near and all that affliction disappears. It only takes a word, a message, for all your fear to transform into joy. You are in Love and everything is fine.
From one second to the following, everything has changed, everything has become brilliant. You desire nothing more than to be with him, to talk with him, to take nourishment and to breath with him. All of Life is connected to him. You lose yourself adoringly in his simplest, briefest glance. Every syllable he pronounces is nothing other than an angelic orchestra propelling you toward castles in the clouds. And regardless of the opinions of others, your only wish is to blend your soul with his, now and forever.
***
As you are walking in one of the streets of the city, you cross along your path an elderly couple of a nearby neighbourhood. They are holding hands. They are speaking as they slowly make their way home. They laugh. As they come close to you, you recognise the youth in the regard of one to the other, the consideration and the respect which have survived through decades of bitter-sweet togetherness – and the Love they have shared for all of a human lifetime. You feel your desire to live that with the One you love, to grow old in the company of he who you cherish so very much.
Then, as is the sight of the guillotine in the eyes of the condemned, you recall the most morbid truth which has always confronted such a beautiful image : your immortality. You will never be able to grow old with one you love in that way without having to see, by the force of fleeting years, the flower of his youth plucked, withered and dried up of all organic Life. You will never be able to share the castles so shiningly sung into being before he comes up to them by his own evolution. You cannot blend your soul with his without causing him unspeakable harm, your tyranny of Heaven, his blissful Hell. He is too old, or too young or just simply not on the same level of existence. But still you love him ...
... and so you lament. You empty all your essence by exhalations of long and salty sighs convulsing from the very foundation of your eternal being. With every eruption of your tears and blood and the primaeval waters spattering down into the dirty street where you weep in the most pathetic isolation, a star burns out, a world collapses and ubiquitous, imperishable Life envelopes you in her arms of infinite renewal. You can only love him from afar, and the farther away the better. Forever he will feel your beneficence and your protection, and this until he can come to you in another Life. And with this promise, your heart willingly whispers its final murmur and the World around you disappears.
***
You wake into the comfortable pure white of everywhere. The perception has no name, and the nebulosity is no great mystery. You look in every sense, and this with all of your senses ; in this great Evermore, all is light, the absence of shadow explaining all in which you have ever believed yet just simply could not clarify. This totality is tangible, the living warmth absolute and comforting & the symphony of variant rhythms, by crescendo and soft melody, has forever and always been your castles in the clouds. With the same sight, you see atoms and entire galaxies, and from it all comes the most profound and complete experience of Love that you will never, never forget ...
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"When Love settles into a life, you cannot say that it is because of or by the grace of one or the other. You do not love for any particular reason. Reason has no effect on Love, nor has it any consequence. Moreover, Reason has been the mortal enemy of Love for millennia."
"...you recall the most morbid truth which has always confronted such a beautiful image : your immortality. You will never be able to grow old with one you love in that way without having to see, by the force of fleeting years, the flower of his youth plucked, withered and dried up of all organic Life. You will never be able to share the castles so shiningly sung into being before he comes up to them by his own evolution. You cannot blend your soul with his without causing him unspeakable harm, your tyranny of Heaven, his blissful Hell."
It seems like everyone is talking about love these days. Maybe because it's Spring? I'm not sure. Not quite like this, though. This was a bit different.. and as always, beautiful.
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- Alexandre Orion
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Leaving from the very start, it's much more true than you,
So, here in one o' my favourite bars, but any bar would do,
True to me and Misery... I think I'll drink a few,
And even if I shouldn't, you know I'll drink to you.
An hour over sunset and my youth in ghostly blue,
The music's gone all grey, like my hair will be soon too ;
I catch a train for Lyons, but then any train would do,
And while memory keeps killing me, I still drink to you...
True to me, to Misery, and you... I'll drink another few.
Drinking doesn't stop my thinking, I just don't think very well ;
Every train's a prison and every bar's a cell,
When all you've got is freedom, the heart's an empty shell.
Light up another cigarette, and take a drag or two,
The telephone keeps ringing, and any call will do --
It's ringing, always ringing, but the caller's never you --
The key's to keep on moving, and maybe drink a few.
Drinking doesn't stop my thinking, I just don't think very well ;
Every train's a prison and every bar's a cell,
When all you've got is freedom, the heart's an empty shell.
Any place with space for grace
And yeah, I'll drink a few...
And yeah, I'll drink to you...
Alexandre Orion -- janvier 2009
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- Alexandre Orion
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A little over three years ago, a friend was in a sort of bluesy period. He dared me to compose a poem/song with a list of the words underlined, and bet me a pint that I couldn't get it done in a week.
:huh:
A week ? two or three hours later I traded him his blues song for my pint. What do you think ?
A/O
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When I wrote that I had in mind another friend who was on a particularly liquid downspiral (incidentally, he's much better now ...), who would, as happens frequently, drink to celebrate successes, and then drink to forget his sorrows. Then, of course, the inevitable result of such a sequence is that successes diminish as sorrow increases.
And this poor bloke did sometimes get tight, then get on a train, and well ... he had some 'interesting' adventures.
Have you, (have any of you seen) "The Irony of Fate" ? (Ирония судьбы) A 1975 Russian film that shows how sometimes the Force work through alcohol. That's of course, one point of view ...
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Looking through twenty thousand years,
Twice broken hearts harmonise
With the rolling rhythm of blood & tears,
And fallen angels compromise
The stigma of their fears ...
For these two times tales to tell
Of shining devils, hearts of joy,
Were angels well before they fell
And given up to that employ,
Though two times twenty turns through Hell
Finds a smiling, brown-hair'd boy.
---
One stands over morning and the Other o'er twilight,
The sunrise shines on memories obscurred by pale moonlight,
Two times two dark eyes with twice heart-broken sight,
Two lovers lost in darkness as when the New Moon gouverns Night.
---
For these two times a glass of wine
On the Eve of Judgement Day,
Two devils dancing on the vine
In a most seductive way,
Blood & tears to make him mine
And the New Moon to make him stay ...
---
One stands over morning and the Other o'er twilight,
The sunrise shines on memories obscurred by pale moonlight,
Two times two dark eyes with twice heart-broken sight,
Two lovers lost in darkness as when the New Moon gouverns Night.
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The decline of the Auxiliari
Assurant protection sous leur ardent fanion …
En Mare caelo confundere – when the gods could get along –
These winds had once filled full the sails of the shining, stately ships
Which for forty thousand generations made thrice-nightly trips,
Navigating through the stars the sombre Sea upon the waves,
Bearing bounty to all the borders in the ways a State behaves.
So, never knowing neither want nor war in civil peace-time sure,
Well tended by the communion of civic castes of conscience pure,
Of which were three, and these were we, were made to aid the Nine
For forty thousand generations in sidereal culture so refined
That the Fourth Order evanesced o'er some ten thousand years –
So that those shining, stately ships,
Making far less frequent trips,
Went unnoticed among our Spheres.
Jusqu'à ce que cet Ordre ne fût plus rien qu'Ombre …
Such invalid conclusions as the Nine wouldn't draw
But for their coordination of our consciousness
Excluding that of even Peace there can be excess ;
When so slowly seasons change, hard is acclimation,
As winter winds of war blew down on the Nine times Ninety constellations !
And so it was and came to pass, in those days that were our last
The Academy, The Symposium & The Communion were recast
To try to understand a vice we had not ever known
In forty thousand generations of serenity to atone ;
No more Auxiliari, Eight of Nine were quarried prey,
But One that was on voyage,
The Third Aristos, and least in Courage,
Would not go down into the Piraeus – we jumped away.
Les lunes se lèveront en armes à tempêter …
Tantôt faute de Courage, vous laisserait en Vie …
Le jardin cultivé abrite Auxiliarii
Alexandre Orion
janvier 2012
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Ne mette au repos la Nuit,
La douce lueur d’avant l’aube vient ;
Une placide vision me bénit :
Dans la lumière d’une seule chandelle…
La Plus belle de toute la Vie—
Ta tête posée sur mon épaule ;
Mon cœur va à sa fantaisie :
Dans la lumière d’une seule chandelle…
Paradent devant mes humides yeux :
Notre promenade dans le Jardin
Au soir, dans le lustre de l’heure bleue :
Dans la lumière d’une seule chandelle…
Prenant ma main, nous fîmes détour ;
Un chemin plus long mais plus beau
En passant par une jolie cour :
Dans la lumière d’une seule chandelle…
Comme contre moi tu te pelotonnes,
Tirant mon bras autour de toi ;
Emu, épris, je te pouponne :
Dans la lumière d’une seule chandelle…
Or, le soleil pleinement levé
Met au repos la Nuit, et nous,
Tous deux, dormons à la clarté :
Voilà s’éteint la seule chandelle.
-- Alexandre Orion
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Or Dictionary.com has a good translator ... but just go a word at a time, otherwise it will baffle the text.
How can I help ?
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- Alexandre Orion
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Through garden walks three seasons high,
This helpless heart still wonders why
All the angels had to die
In shining lies to sanctify
Three moons that cross the sky.
Humid zephyrs satisfy
Our hopeful hearts which pacify
Those shining lies where angels die,
Their broken wings borne on a sigh
As three moons cross the sky.
...but the cherry blossoms all went dry...
An echoed image stings my eye :
A tired sun, where you and I
Saw three moons cross the sky.
To whispered prayers the gods deny,
In oceans of stars too tired to cry
The sounds of forgotten songs defy
Our garden walks, where you and I
Saw three moons cross the sky.
...and the cherry blossoms all went dry...
An echoed image stings my eye :
That shining lie, where you and I
Saw three moons cross the sky.
-- Alexandre Orion
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“I greet you at the beginning of a great career, which must yet have had a long foreground somewhere, for such a start. I rubbed my eyes a little to see if this sunbeam were no illusion; but the solid sense of the book is a sober certainty. It has the best merits, namely, of fortifying and encouraging.” – Ralph Waldo Emerson
In clear skies, the stars of Home shine distantly Bright,
Our Lady of Springtime whispers prayers to the Winds,
Out of Time, out of Place, out of Means, out of Ends …
She prays toward those stars of Home that we barely knew,
Some Prehistory's myth carries chronicles true ;
Turning Worlds, told as 'heavens', trace orbits around
Setting Suns, changing Seasons, where Old Life abounds …
Her Hope takes to Flight, in the Night of the Void,
With the Power of her Love and Silent Sacrifice,
Wishes turn into Wisdom, the Fates overjoyed !
Out of Time, Out of Place, to All Beauty and Love,
Our Lady of Summer, in gown of Garden Green,
Sighs softly her hymn to space where Angels convene …
She prays toward those stars of home that we know so well,
As bright, fertile valleys where Life-giving rains fell ;
Prehistory's poems dance sprightly in Today
As future Eclipses sooth all of her Fear away …
Memories of motherhood meld with maiden's desire :
The Force as her ally in Silent Sacrifice
Wishes turn into Wisdom, which doth Dreams inspire !
And the Old stars of Home shine yet on as before ;
Our Lady of Winter sleeps sure in her arbour
Under the cover of white wishes she harbours …
And she dreams in those myths of Prehistory's Song
Recounting the adventure sung on for so Long
On those Worlds, told as 'heavens', in orbits around
Rising Suns in green Seasons, our New Life resounds …
Whilst gods dream existence from Centre to Centre –
With Power of the Crystal, her Silent Sacrifice
Wishes turn into Wisdom, therewith the Maître ...
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En août dix-neuf cent quinze le paquebot 'Ganymède' quitta vers Athènes le joli port de Sète.
On se promenait toute la journée au soleil main en main sur la Méditerranée,
Au soir, les reflets de la pleine lune nous enchantaient gaiement lorsque l'on dansait.
Rassurés par le pinard
Et si enivrés par le regard,
Inspirés par clarté lunaire
Lors d'une soirée en mer hors pair,
Comme les cordes et l'accordéon
Jouaient cette valse que nous dansions
La valse des Sirènes …
Au jour, la matinée, on lisait des poèmes d'Amoureux illustrés par des blancs nuages ;
L'après-midi on prenait du thé au lait à l'anglaise et puis, je te proposai le mariage.
Toi, ravie, tu répondis «oui», et nous nous serrâmes dans les bras, unis pour toujours où que l'on aille,
Au soir, dans le hall, le capitaine nous félicita au champagne pour fêter nos fiançailles.
Transportés par émotion
Immortalisé par dévotion,
Inspirés par clarté lunaire
Nos cœurs des lieues du monde en Guerre
Comme les cordes et l'accordéon
Jouaient cette valse que nous dansions
La valse des Sirènes …
Cette nuit d'immense Joie on faisait l'Amour, nos corps et âmes fusionnés pour éternité,
La Grèce au lendemain accueillerait des amants à vieil Athènes comme au temps des dieux passés ;
Ces moments-là furent Paradis pur, ta tête sur mon épaule, nos êtres lumineux de plénitude,
Ainsi avançait le Ganymède, vers nos demains, cours sûr, au droit port, fort de la certitude.
En anticipant l'aurore,
Mon âme toute puissante par notr'Amour
Jamais je ne vis une plus belle image
Que celle de toi, endormie, sans âge …
Soudain, un choc brisa ma rêverie,
Puis un autre t'eut réveillé,
La cabine penchait,
Les gens dehors couraient ;
Le Ganymède avait été attaqué,
Par deux grenouilles éventré
Et allait rapidement couler –
Toutefois, tellement on s'aimait,
L'Amour plus fort que la Mort ;
Je glissai sur ton doigt une bague
Comme Ganymède glissa sous les vagues.
Accueillis par les Sirènes,
Dans leur demeure sereine,
Le moment où nous nous enlacions
Conservé car nous nous aimions.
Toujours les cordes et l'accordéon
Jouent cette valse que nous dansions
La valse des Sirènes.
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Alexandre Orion
3 juillet 2012
à Chalon-sur-Saône
From Burgundy's heart to the Heart of the Star
The part pledged in Faith pledges Faith to the far
Far side of the Ocean, in Sunlight, In Rain,
In Storm and in Calme, in Joy or in Pain …
His crystal shines Hope, his Heart bears his Art,
His blade flashes Courage, his Arms a Rampart ;
His Soul lights the Lamp that leads out of Night,
That leads out of Shadow, that leads out of Plight …
On Mid-summer's Day, when the Council agree,
A new Knight swears duty upon bended knee,
His humble hand held, holds the sabre aloft
Pronouncing his pledge per vox sure and soft …
So therewith the Warrior as therewith the Man,
As therewith the Soul of the Knight where he stands
In the Satisfied Sun of Mid-summer's Day
Where no shadow touches the ground by his way …
And we sing the Event, we sing of the Quest,
We sing of the East united in West –
In the State of the Star, where his legends are,
Sung true by the plume singing with his guitar …
Now here is the Life that is he, that is All
In tremors of truth-telling, singing the call
Of the Wild, of the Tame, of the Strange, of the Same –
Of the Knight who is Wescli Wardest by name !
In the Mid-summer's Night, full of Moon fully bright
O'er the State of the Star where resides this bold Knight,
Shines a candle apart – from the End to the Start –
By a helping hand held out of Burgundy's Heart.
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Raised to sew the wheat and hay.
Taken on a dragons back,
To fight the man in shadows,
In the land of Durza.
To see the crystal doors,
In the blood of the enemy.
In mountain towns of dwarven make,
Trained he was to by elves and the last drake,
Made a sword with bare hands,
To kill the foe in Durza,
Enshrouded in the shadows.
Through the crystal doors,
To bathe in blood of the devil.
Adoring a womans crystal eyes,
Her raven hair hath hypnotize,
But hurt he was in rejection,
For he must kill the foe in shadows,
In the land of Durza.
He must cross the golden floors,
To breake the spirits mind.
He goes to Durza on dragon back,
With blade and magic he fights with,
To get the foe in Durza,
Enshrouded in the shadows.
The Spirit's blad crosses back,
And blood has flowed from him.
Then dragon fire fells the spirit,
And sword prepared to kill,
His foe in shadow,
In the land of Durza.
But he has mercy and curses him,
To stay in the land of night.
He marries that which matters much,
The woman in the mountains.
And learns to fear the foe in Durza,
Enshrouded in the shadows.
Children made of Rider - Elf,
Keep the peace in his world.
200 years of age,
Death having been accepted,
He learns to love the man in Durza,
Silhouetted in the light.
Carrying a scythe,
He dies and goes to heaven.
Natus moriendi nobilis sanguine,
Suscitavit consuendi triticum et fenum.
Capta in dracones retro,
Bellum in tenebris
In terra Durza.
Ad cristallum ostia,
Sanguine inimici.
In montem oppida Nanorum facere,
Monstra docti et novissimi a erat draculus
Fecit gladio cum peperit manus,
Occidere hostem in Durza,
Enshrouded in umbras.
Per cristallum ostia,
Sanguinem perfundi diaboli.
Adorantes mulieris cristallum oculis,
Eius corvus capillos habet hypnotize,
Sed damnum erat repudium
Oportet occidere hostem in tenebris
In terra Durza.
Aurea mauris oportet transire,
Ad frangere spiritus mentis.
Vadit ad Durza in draco retro,
Cum lamina et magicae pugnat cum,
Ut hostem in Durza,
Enshrouded in umbras.
Spiritus blad occurrat retro,
Inde fluxit sanguis.
Ergo draco ignis fells spiritus,
Et gladio paratus ad occidere,
Hostem in umbra,
In terra Durza.
Sed misericordia et maledictus,
Noctis moram in terra.
Ipse duxerit quod refert,
Mulier in montes.
Et discit timere hostem in Durza,
Enshrouded in umbras.
Filii de Rider - Elf,
Pacem in terris.
CC annos,
Mortem acceptum,
Discit amare homo in Durza,
Silhouetted in lucem.
Portans falce,
It caelo moritur.
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