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00:02:13

Star Wars Battlefront Reveal Trailer

Star Wars™ Battlefront™ goes on sale November 17th on PS4, PC and Xbox One.
The ominous thud of an AT-AT stomping...
Star Wars™ Battlefront™ goes on sale November 17th on PS4, PC and Xbox One.
The ominous thud of an AT-AT stomping down. Rebel forces firing blasters. Imperial speeder bikes zipping by. Intense dogfights between squadrons of X-wings and TIE fighters filling the skies. Immerse yourself in the epic Star WarsTM battles you’ve always dreamed of and create new heroic moments of your own in Star Wars™ Battlefront™. Explore additional content: http://starwars.ea.com/starwars/battlefront
Subscribe to be the first to see more trailers and gameplay: http://bit.ly/1Ge7NQ1
Pre-Order And Get Additional Bonus Content Early: http://o.ea.com/37336
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00:06:14

What Defines the Jedi?

Jedi Living Presents – Living as a Real Jedi Knight Real Jedi, Definition A look at what defines the Jedi and how...
Jedi Living Presents – Living as a Real Jedi Knight Real Jedi, Definition A look at what defines the Jedi and how that plays into our lives. Spoiler - I reco...
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00:07:58

Luke Skywalker VS Darth Vader Empire Strikes Back Bespin Duel HD

Thank you guys SO MUCH for all the views and subscriptions! If you like this video then SMASH THAT LIKE BUTTON and...
Thank you guys SO MUCH for all the views and subscriptions! If you like this video then SMASH THAT LIKE BUTTON and don't forget to subscribe!

Don't forget to check out my Facebook as well :D https://www.facebook.com/joab.hodge
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00:02:01

Beltane Fire Festival 2012 Calton Hill Edinburgh

Beltrane Fire Festival at Calton Hill Edinburgh on 30th April 2012
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"Human" - The Killers

"Are we human? Or are we dancer?"
00:00:44

Picard's civil rights speech

Picard on issues of civil rights and liberties. Clip from season 4 episode 21 "The Drumhead," Star Trek: The Next...
Picard on issues of civil rights and liberties. Clip from season 4 episode 21 "The Drumhead," Star Trek: The Next Generation
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00:03:56

https://youtube.com/devicesupport

https://youtube.com/devicesupport
http://m.youtube.com
00:09:24

ASDF Movie (1-6)

All ASDF movies in 1 Video!
All credit to the amazing creator TomSka!
Post your favorite quote from all of the...
All ASDF movies in 1 Video!
All credit to the amazing creator TomSka!
Post your favorite quote from all of the videos!
Asdf Movie 1 starts - 0:00
Asdf Movie 2 starts - 1:32
Asdf Movie 2: Deleted Scenes starts - 3:10
Asdf Movie 3 starts - 3:49
Asdf Movie 4 starts - 5:11
Asdf Movie 5 starts - 6:35
Asdf Movie 6 starts - 7:53



ignore tags:
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asdf 3,
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00:05:04

Cowboy Bebop OST 3 Blue - Blue

OST ANIME MUSIC
JAPAN MUSIC

Web:
http://radiomanga.net

http://vivemusica.net

http://ostanimemusic.blogspot...
OST ANIME MUSIC
JAPAN MUSIC

Web:
http://radiomanga.net

http://vivemusica.net

http://ostanimemusic.blogspot.com

http://ostjmusic.blogspot.com

:-)

Blue
Anime: Cowboy Bebop
OST: Cowboy Bebop OST 3 Blue (1998)
[audio]

Cowboy Bebop (カウボーイビバップ, Kaubōi Bibappu) is a Japanese animated television series. Directed by Shinichiro Watanabe and written by Keiko Nobumoto, Cowboy Bebop was produced by Sunrise. Consisting of 26 episodes, the series follows the adventures of a group of bounty hunters traveling on their spaceship, the Bebop, in the year 2071.

Cowboy Bebop was a commercial success both in Japan and international markets, notably in the United States. After this reception, Sony Pictures released a feature film, Knockin' on Heaven's Door to theaters worldwide and followed up with an international DVD release. Two manga adaptations were serialized in Kadokawa Shoten's Asuka Fantasy DX.

Cowboy Bebop has been strongly influenced by American music, especially the jazz movements of the 1940s, 1950s and 1960s and the early rock era of the 1950s, 1960s and 1970s. Many of its action sequences, from space battles to hand-to-hand martial arts combat, are set and timed to music. Following the musical theme, episodes are called Sessions, and titles are often borrowed from album or song names (such as Sympathy for the Devil or My Funny Valentine), or make use of a genre name ("Mushroom Samba") indicating a given episode's musical theme.

Source: wikipedia.org
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00:02:27

The Voice of the Trees by Bartholomaus Traubeck WWW.GOODNEWS.WS

http://goodnews.ws/

'Years' Tree Turntable demonstration. Utilizing various make-shift components, German designer...
http://goodnews.ws/

'Years' Tree Turntable demonstration. Utilizing various make-shift components, German designer Bartholomäus Traubeck has managed to create a modified record player that takes wood slices of a tree and makes music from its inner rings.

Albero Parlante? No Cantante! Ecco un giradischi che suona musica Arborea. L'artista germanico Bartholomaus Traubeck è capace di farli cantare. Ha ideato un apparato per ottenere la vibrazione acustica dai tronchi recisi, modificati in dischi 33 giri. E' riuscito a creare un bellissimo pezzo (Years) facendo fare musica a una sezione del tronco dell'albero. Ha adoperato un giradischi classico e in sostituzione della testina di lettura del disco, si è servito di una micro telecamera . Ogni anello, specificante gli anni dell'albero, ha creato un effetto acustico differente e insieme ne è nata una musica veramente mirabolante. Il programma ha permesso di legare alle colorazioni e alla struttura del pezzo di legno una gamma definita suoni. E' come se udissimo un albero che ci racconta di sé.

The Voice of the Trees by Bartholomaus Traubeck WWW.GOODNEWS.WS
http://goodnews.ws/
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00:11:19

( unofficial) TotJO Training guide-meditation

I do not own any songs played. May the force be with you
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00:50:39

xin-tao black belt test

my black belt test (very exhausting and a bit emotional at the end)
00:15:01

Beethoven - Moonlight Sonata (FULL)

Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14

Fan page:
http://www.facebook.com/9Beethoven

The Piano...
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14

Fan page:
http://www.facebook.com/9Beethoven

The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven

The sonata has three movements:

1 mvt: Adagio sostenuto.
2 mvt: Allegretto (click to go at 6:00 min).
3 mvt: Presto agitato (click to go at 8:05 min).

Adagio sostenuto

The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud".

The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things.


Allegretto

The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms."[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition.


Presto agitato

The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.

It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements.

Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.

Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethoven's pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals

At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone.

One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.

For performance on the modern piano, most performers today try to achieve an effect similar to what Beethoven asked for by using pedal changes only where necessary to avoid excessive dissonance. For instance, the Ricordi edition of the score posted at the external link given below does include pedal marks throughout the first movement. These are the work of a 20th century editor, meant to facilitate performance on a modern instrument.

Half pedaling — a technique involving a partial depression of the damper pedal — is also often used to simulate the shorter sustain of the early nineteenth century pedal. Charles Rosen suggests both half-pedaling and releasing the pedal a fraction of a second late.

Banowetz offers a further suggestion: to pedal cleanly while allowing sympathetic vibration of the low bass strings to provide the desired "blur." This is accomplished before beginning the movement by silently depressing the piano's lowest bass notes and then holding these dampers up with the sostenuto pedal for the duration of the movement.
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